The Flying Dutchman (Wagner) - Videos (en) (2024)

Elizabeth Connell Franz Grundheber Richard Wagner Seemann Walter Fink Fink Jäger Michael Pabst Pabst Steuermann Torsten Kerl Leopold Hager Orchester Wiener Staatsoper Wiener Staatsoper 1998

DER FLIEGENDE HOLLÄNDERRomantische Oper in drei Akten von Richard Wagner.Daland, norwegischer Seemann: Walter FinkSenta, seine Tochter: Elizabeth ConnellErik, ein Jäger: Michael PabstMary, Sentas Amme: Waltraud WinsauerDer Steuermann Dalands: Torsten KerlDer Holländer: Franz GrundheberChor und Orchester der Wiener Staatsoper Leopold HagerWiener Staatsoper, 31. Jänner 1998

Eugen Jochum Hilde Gueden Ernst Haefliger Martti Talvela Catherine Gayer Sieglinde Wagner Vogel Nagano Walter Dicks Werner Götz Bella Jasper Hans Beirer Ernst Krukowski Sellner Kühner Stark Heil Glück Stille Wolfgang Amadeus Mozart Emanuel Schikaneder Deutsche Oper Berlin 1791 1963 1966

Eugen Jochum, Orchester der Deutschen Oper Berlin(Recorded 24th October, 1966, Nissay Theatre, Tokyo)Tamino — Ernst HaefligerPapageno — Manfred RöhrlPamina — Hilde GuedenQueen of the Night — Catherine GayerSarastro — Martti TalvelaFirst lady — Annabelle BernardSecond lady — Gitta MikesThird lady — Sieglinde WagnerMonostatos — Karl-Ernst MerkerFirst boy — Barbara VogelSecond boy — Helga WisniewskaThird boy — Yonako NaganoSpeaker — Gerd FeldhoffFirst priest — Walter DicksSecond priest — Werner GötzPapagena — Bella JasperFirst armoured man — Hans BeirerSecond armoured man — Ernst KrukowskiThe production was by Rudolf Sellner. / The Deutsche Oper Berlin first visited Tokyo in 1963, giving performances of Fidelio, Figaro, Tristan, and Wozzeck. This performance of Die Zauberflöte was given during the company’s second visit in 1966, when the other operas performed were La Traviata, Der fliegende Holländer, Die Entführung, and Elegie für junge Liebende. / ACT 1:0:00:00 — Ouvertüre0:07:13 — No. 1: “Zu Hilfe! Zu Hilfe! sonst bin ich verloren!” (Introduction)0:14:08 — No. 2: “Der Vogelfänger bin ich ja” (Aria)0:20:03 — No. 3: “Dies Bildnis ist bezaubernd schön” (Aria)0:25:18 — No. 4: “O zitt’re nicht, mein lieber Sohn” (Recitative and Aria)0:30:08 — No. 5: “Hm! Hm! Hm! Hm Hm Hm!” (Quintet)0:36:38 — No. 6: “Du feines Täubchen, nur herein!” (Trio)0:40:31 — No. 7: “Bei Männern, welche Liebe fühlen” (Duet)0:43:43 — No. 8: “Zum Ziele führt dich diese Bahn” (Finale)0:45:19 — No. 8: “Die Weisheitslehre dieser Knaben” (Finale)0:47:14 — No. 8: “Wo willst du kühner Fremdling hin?” (Finale)0:54:07 — No. 8: “Wie stark ist nicht dein Zauberton” (Finale)0:56:58 — No. 8: “Schnelle Füße, rascher Mut!” (Finale)1:01:45 — No. 8: “Herr, ich bin zwar Verbrecherin” (Finale)1:05:11 — No. 8: “Nun, stolzer Jüngling; nur hierher!” (Finale)ACT 2:1:08:47 — No. 9: Marsch der Priester 1:12:06 — No. 10: “O Isis und Osiris” (Aria and Chorus)1:17:03 — No. 11: “Bewahret euch vor Weibertücken” (Duet)1:18:08 — No. 12: “Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Quintet)1:21:29 — No. 13: “Alles fühlt der Liebe Freuden” (Aria)1:23:00 — No. 14: “Der Hölle Rache kocht in meinem Herzen” (Aria)1:26:45 — No. 15: “In diesen heil’gen Hallen” (Aria)1:33:06 — No. 16: “Seid uns zum zweiten Mal willkommen” (Trio)1:35:39 — No. 17: “Ach, ich fühl’s, es ist verschwunden!” (Aria)1:39:59 — No. 18: “O Isis und Osiris” (Chorus)1:43:42 — No. 19: “Soll ich dich, Teurer, nicht mehr seh’n?” (Trio)1:48:05 — No. 20: “Ein Mädchen oder Weibchen” (Aria)1:53:27 — No. 21: “Bald prangt, den Morgen zu verkünden” (Finale)1:59:27 — No. 21: “Der, welcher wandert diese Straße” (Finale)2:04:15 — No. 21: “Tamino mein! O welch ein Glück!” (Finale)2:07:49 — No. 21: “Wir wandelten durch Feuergluten” (Finale)2:11:27 — No. 21: “Papagena! Papagena! Papagena!” (Finale)2:16:49 — No. 21: “Pa-pa-pa”...”Pa-pa-pa” (Finale)2:19:27 — No. 21: “Nur stille! Stille! Stille!” (Finale)2:21:21 — No. 21: “Die Strahlen der Sonne” (Finale) / The Magic Flute (German: Die Zauberflöte) is an opera in two acts by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work was first performed at the Freihaus-Theater auf der Wieden in Vienna on 30th September, 1791, just two months before the composer's premature death.

Tichina Vaughn Verdi Angel Blue Eric Owens Woodco*ck Metropolitan Opera Seattle Opera Greek National Opera Staatstheater Stuttgart Opera Budapest Opera Graz Arena Verona Semperoper Theater Wien 1989 1990 1992 1996 1998 2003 2006 2010 2018 2019 2020 2021

Tichina Vaughn Interview on The Jim Masters Show LIVE as host Jim Masters welcomes the renowned mezzo-soprano to the show as his special guest.Tichina Vaughn has built a standout international reputation. Her formal vocal study began shortly after high school at Georgia State University, but her early years were steeped in musical activity: studying clarinet, playing in marching and concert bands, and singing as a choir member and soloist.Tichina received her Bachelor’s degree in Vocal Performance from the University of North Carolina School of the Arts in 1989. Even before her graduation, Tichina’s unmistakable voice drew attention from some of the world’s foremost opera houses – and after winning the 1989 Metropolitan Opera National Council Auditions, she joined the Met’s Young Artist Development program and made her stage debut there as Lily in the Gershwins’ Porgy and Bess in 1990.Tichina’s first leading role on a major opera stage, Amneris in a Seattle Opera production of Verdi’s Aida, arrived just two years later in 1992. Her interpretation sparked immediate attention from the opera community, and invitations to reprise the role began to pour in from companies around the globe. Soon, Tichina was recognized as an emerging Verdian mezzo-soprano, regularly taking on leading roles such as Princess Eboli in Don Carlos and the mezzo-soprano soloist in Verdi’s Requiem throughout the early 1990s.In 1996, Tichina made her European debut as Mistress Quickly in Staatstheater Stuttgart’s production of Falstaff, which marked the beginning of both her long relationship with the company and her robust European career. From 1998 to 2006, she continued to perform with the Staatstheater Stuttgart as a principal artist, eventually earning the distinction of Kammersängerin, the German honorific title for opera singers of the highest merit. Throughout her years in Stuttgart, Tichina’s list of signature roles blossomed as her aptitude for the works of Wagner became evident, culminating with her appearances as Fricka (Die Walküre) and Waltraute (Götterdämmerung) in the Staatstheater Stuttgart’s full recording of Wagner’s Ring cycle via Naxos in 2006.Now one of opera’s most sought-after mezzo-sopranos, Tichina has quite literally performed around the globe, with previous engagements on international stages including the National Opera Hong Kong, Greek National Opera, Budapest National Opera, Hamburg Opera, Opera Graz, and countless others. She made numerous appearances with the Arena di Verona summer festival in Italy starting in 2003, and from 2010 to 2018, she was engaged as a principal artist at Semperoper Dresden.In addition to her 1989 Metropolitan Opera National Council Auditions award, Tichina is the recipient of the Opera Index Vocal Award, Living Heritage Foundation Award, the Consul General’s Award for Cultural Diplomacy from the Consulate General Milan, and many other prestigious accolades..Tichina returned to the Metropolitan Opera to reprise the role of Lily for the first time at the Met since her 1990 debut. She can be heard on the 2020 recording of the same production with Angel Blue and Eric Owens, which won Best Opera Recording at the 2021 GRAMMY Awards.An active voice teacher and mentor, Tichina returned to North Carolina in October 2019 and February 2020 as an artist-in-residence at her alma mater, the University of North Carolina School of the Arts. At UNCSA, Tichina led a series of master classes and mentored fellows of the A.J. Fletcher Opera Institute one on one, offering private vocal coaching and individualized career counseling. UNCSA School of Music interim dean Tony Woodco*ck described the residency as “a real plus for our graduate students as they transition to roles as entrepreneurial professional artists… and all of our voice students (are) inspired by her wisdom and her artistry.”Tichina has continued to perform,including an October 2020 production of Porgy and Bess with Austria’s Theater an der Wien. The current season includes role debuts at the Metropolitan Opera as the Innkeeper in Boris Gudonov and Maria in Porgy and Bess as well as house debuts in Boston (Champion), Cincinnati (Aida), and Utah (The Flying Dutchman).Subscribe to our YouTube channel and click the notification bell so you never miss any of our series episodes. If you enjoyed this video episode, please give it a thumbs up like and leave a comment for us! Thank you! Like! Follow! Subscribe!Facebook: www.facebook.com/jimmasterstvInstagram: www.instagram.com/jimmasterstvTwitter: www.twitter.com/jimmasterstv#TichinaVaughn #TichinaVaughInterview #TichinaVaughnsoprano #thejimmastersshow #thejimmastersshowlive #jimmasterstv

Staatstheater Cottbus Richard Wagner Möbius

ROMANTISCHE OPER IN 3 AUFZÜGEN VON RICHARD WAGNERDichtung vom KomponistenAufführung ohne PauseMusikalische Leitung Alexander MerzynRegie Jasmina HadžiahmetovićBühne und Kostüme Natascha MaravalChoreinstudierung Christian Möbius